Two decades after its destruction, the Kowloon Walled City has acquired an increasingly shiny gloss of respectability. Architects of the new urbanism celebrate its dense, human, organic development. The government’s dystopian view of the Walled City as a place of “notorious… drug divans, criminal hide-outs, vice dens and even cheap unlicensed dentists,” has given way to a vision of the Walled City in the collective imagination as the lost paradise, a sort of Atlantis, Xanadu and urban Shangri-La rolled into one.
Symbolizing this re-imagined city, and helping make the gloss even shinier, is a new and dramatically expanded twentieth-anniversary edition of City of Darkness. In its earlier editions, the book was smoothing of a cult classic. It was also a book that focused very much on the people of the City, trying to de-mystify and humanize this place of urban myth.
The new edition is big and bold, a colorful heavyweight book perfectly suited for gift-giving and coffee-table viewing by people who never would have gone to the City while it was real. But it is also a far more ambitious attempt to look at the underside of the city and at its larger global and urban-architectural dimensions.
This review was originally published in the Asian Review of Books. Can be accessed here.